Manx dating

) - thus it is sometimes possible to date photos by comparing these (a task only possible with access to many dated photos e.g. Cartes-de-visite were introduced in the late 1850s and became very popular by the mid 1860s - they were an economic method of placing up to eight exposures on a single 10 x 8 inch glass plate, made possible by the the invention of the sliding plate holder by André Disdéri.

1894: Prospect-hill c.1906-1910: Waverley Terrace, Broadway 1910-1911 D.Callister is shown - I assume they are the same Specialised in taking photographs of Cunningham's camp - many views both of the camp and of individual campers (usually in their Sunday best outside their tent).Later, in late 1910, took his son Harry into the business and became known as D.before partnership with Alfred Moore of Ramsey cdv: 56 Waterloo Rd 1894: Waterloo-road, Ramsey ('art photographer') Short Biography & portrait in 'The Tourist iii pp59/60 1899 [ref Cubbon] Father and son, both George Augustus, both operated as photographers but not it seemed from the same studio. His address on his earliest cards given as Athol Street opposite the Post Office - this was I think the old Athol St chapel which became available c.1867. Rothwell' - so would appear took over Rothwell's business - suspect same Greatrex who in c 1875 set up a roller skating hall." gives address as 73 Strand Street (no such name found in 1881 census); In a reprinted story re claimants to an American legacy a photograph (probably dating late 1870s ?Was credited as lithographer in several of Manx Society volumes G. senior was born in Portsmouth, son of a Customs Officer Robert and Mary Deane, married Eliza Doige (in Liverpool, probably at St. Came to Island some time around 1847 (4th child born Nov 1847 in Douglas). Moved to Rugby in mid 1890s, though some of family later returned to Island - see Memorial Notice to son. ) by James Gregson, 52 Strand St is quoted (that address in 1881 was Milburns, Whitesmiths or Ironmongers as in some directories).

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The Island and especially Douglas, saw a major tourist boom in the late 1870s and 1880s - many non-Manx portrait artists came across but soon found that photography was the most popular with the tourists (most of whom would be mill operatives from the North of England).

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